Showing posts with label Musetracks. Show all posts
Showing posts with label Musetracks. Show all posts

Wednesday, August 28, 2013

Indie Cooties (Or Why You're Not a Real Writer)

Well, I thought the bullshit about indie v. trad publishing had died down, but it's back in full-force.

At the beginning of the month, horror writer Lisa Morton wrote a piece called "Ten Questions to Know If You're a Pro." If the article had been on Lisa's own blog, I doubt if it would've made that much of a wave. Lisa claims she was frustrated with associates who did not take the craft or business as seriously as she did, that it was meant to be tongue-in-cheek. Reading it a certain way, I can see this may have been her intent. Unfortunately, because of her word choices, the piece comes across as serious and not funny at all.

To add to the situation, Lisa is the vice-president of Horror Writers of America, and her article appeared on the Los Angeles chapter's website.

Another horror writer and fellow HWA member Brian Keene did not find Lisa's piece amusing and wrote a rebuttal.

Here's my two cents: I don't know either Lisa or Brian. In fact, I never heard of Lisa until I read Brian's piece, and I've been following Brian's blog for several years now. I can see what she attempted. I can see why he felt dissed by this list. I'd like to point out at no time did Brian attack Lisa personally.

And then like the whole Sue Grafton thing last year, the stupid situation went viral. You know it's bad when Neil Gaiman is making fun of the list.

Forbes contributor Suw Charman-Anderson wrote a thoughtful piece on the issues raised by Lisa's article, asking the real question of what makes a writer a "professional."

Some bloggers, such as Marie-Claude Bourque at Musetracks, have tried to start a serious discussion on the matter. And that's when the trolls came out, spewing the usual crap that self-published writers are not professional because they haven't been vetted.

Here's the thing: the publishing industry AS A WHOLE is totally UNREGULATED. Other than common law contract issues, we can do what we want because guess what? WE MAKE UP SHIT FOR A LIVING!

Anyone can start a publishing company. Anyone can be an agent. Anyone can write.

Do you really want to see stuff censored by a self-regulating industry? I sure as hell don't. It would stifle creativity.

Is there stuff out there that I despise? The Saw movies come to mind. And all the Harlequin Presents books.

Do I have a right to stop someone else seeing, reading or writing this kind of stuff? Only my underage son, and frankly, once he's eighteen, he can watch, read or write whatever he wants.

The other side of the coin is that if you as a writer are not producing things people want to read, you're probably not going to sell jack shit. You can make all the nasty comments about E.L. James and Fifty Shades of Gray you want, but at the end of the day, people read and liked those books.

Just because something isn't your taste, or someone does something in a different way that you would have, does not make them wrong.

As if that weren't enough, here's how Merriam-Webster defines "professional":

1:
a : of, relating to, or characteristic of a profession
b : engaged in one of the learned professions
c (1) : characterized by or conforming to the technical or ethical standards of a profession
(2) : exhibiting a courteous, conscientious, and generally businesslike manner in the workplace

2:
a : participating for gain or livelihood in an activity or field of endeavor often engaged in by amateurs
b : having a particular profession as a permanent career
c : engaged in by persons receiving financial return


3: following a line of conduct as though it were a profession

According to one of the most noted dictionaries of the English language, I am a professional. For the rest that don't agree with that, well, I hope you have fun with your hobby.

Friday, March 16, 2012

I'm Not Here Right Now. . .

Today, I'm visiting the beautiful muses at Musetracks. Here's a hint about today's topic:


Tuesday, November 16, 2010

Fearless Writing v. Political Correctness

A couple of weeks ago, I was talking to JENN! of Musetracks and Raven of Raven's Wing.  (Okay, actually I interrupted their conversation.  I was looking for the controls for the overhead fans.  It was freezing in the back of the clubhouse where our writer's group meets.)

JENN! had been asked by a third party of they could reprint one of her blog posts.  She had refused.  Which frankly isn't like JENN! at all because she's one of the most generous people I know.

Then she told me which post had been requested.  It was one she'd written back in April.  The actual post concerned how writers need to write fearlessly.  About how we can't be slaves to other people's opinions.

I totally understod where she was coming from because I'm often criticized for stuff that make other people uncomfortable.  Boys hitting girls (though my girls hit back just as hard), use of four-letter words (well, yeah, that's true), and excessive gore (it's zombies, for crying out loud).

Unfortunately, the comment thread of JENN's post did turn political.  I take part of the blame.  I made a snarky comment about how my sheer existence offends the Republican Party so I don't worry too much about their feelings concerning my writing.  Let's just say the thread got weird from there, so I can see where JENN! doesn't want to let her post take on more of a life than it already has.  In today's climate, intellectual discourse has given way to trollish behavior.

But JENN's inital point is still valid.  A writer needs to write fearlessly.  Sometimes it may result in crap like the pedophile's guide recently pulled from Amazon.  Other times, it may result  in a best seller like The Da Vinci Code.  You never know what's really going to happen with your book.

But I do know one thing as a reader.  I can tell when you're not writing from your gut, and I won't buy your book if you're not.

Friday, July 23, 2010

Some Good Advice From a Friend - Part 3

Here's Part 3 in Jenn Bray-Weber's series on submitting and pitching.

Just to add to Jenn's wise words: It doesn't matter what YOU want to read. It doesn't matter how great YOUR book is. What matters is what the editor wants to buy. Welcome to Economics 101. Sometimes it sucks.

So, what's on your bookshelf? How recent is the latest book?

Thursday, July 22, 2010

Some Good Advice From a Friend - Part 2

Here's the link to Part 2 in Jenn Bray-Weber's series on submissions and pitches.

I have to agree with Jenn. Submissions = resumes and pitches = job interviews. If writers don't approach the task from that mindset, they're fooling themselves.

Wednesday, July 21, 2010

Some Good Advice From a Friend

Since I have the Sword of Damocles (um, a column deadline) hanging over my head, I'll direct you to a pithy blog series by Jenn Bray-Weber over at Musetracks about searching for an agent. Smart lady, smarter advice.