Showing posts with label Star Wars: The Rise of Skywalker. Show all posts
Showing posts with label Star Wars: The Rise of Skywalker. Show all posts

Monday, January 13, 2020

Monday Movie Mania - Star Wars: The Rise of Skywalker

The family went to see Star Wars: The Rise of Skywalker on Christmas Day. Frankly, it's taken me some time to come to grips with my disappointment.

You need to remember something--I was eleven when the original Star Wars debuted in theaters in May of 1977. It became the common denominator between all the kids in my grade school. At a time when adult movies were gritty and depressing or the kids' movies talked down to us, Star Wars was flat-out fun.

The start of the disappointment comes from comparing two different subdivisions under the Disney umbrella. Marvel's Kevin Feige allowed individual writers and directors incorporate different personalities in the MCU without diverging from the overarching theme and plot.

However, Kathleen Kennedy at Lucasfilm didn't seem to have that kind of a reach or control over her directors and writers. The only one of the new films meshed with the original trilogy, and that was Rogue One.

But this should have been the ultimate coda to the saga. . .


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SPOILERS


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PROS
1) J.J. Abrams probably didn't write the epilogue ending because it was perfect. Rey going to the Lars homestead to literally bury the ghosts of the past. And her answer when someone asks who she is? It's all about making your own destiny instead of living under the shadow of the past.

2) The insinuation at the end of the battle that Rey, Finn, and Poe become a thruple. I really don't give a damn about Reylo. It was never going to work, and Ben had to die for his sins just like his grandfather.


CONS
1) Holy Thoth! Where to begin? Let's start with chopping Rose Tico out of pretty much the entire movie to appease the alt-right fanboys. She should have been this trilogies' Lando Calrissian, the potential rival for Finn's affections for Rey and Poe. Nope, let's just shove her in a corner.

2) Another MacGuffin? Seriously? This time, it was a stupid Sith knife and map that made no difference to the plot.

3) Inserting Leia awkwardly into the narrative. Why not admit General Organa was dead in the beginning scrawl? I don't have a problem with her Force ghost showing up at the end, but the scenes with Carrie were awkward as fuck.

4) The prick-waving one-upmanship between The Last Jedi writer/director Rian Johnson and J.J. Abrams. Part of this goes back to Kathleen Kennedy having no control when it comes to the Lucasfilm universe. But eighty per cent of it rests squarely on the two men trying rewrite each other's visions for the Star Wars universe instead of working together.

5) Breaking the in-unverse rules. Especially those regarding hyperspace travel. Again. It goes back to CON #4's dude-bro pricking-waving.

6) Can we get any more phallic than Rey running Kylo Ren through with her lightsaber? Then healing the little shit makes him turn a new leaf? That had to have been the most unearned moment in the movie.

7) Emperor Palpatine/Darth Sidious is back with no fucking explanation as to how he survived the fall down the shaft, much less the explosion of the second Death Star.

8) The totally icky, skeevy moment between Lando and Jannah. If she's supposed to be his daughter, why not have Lando fucking say his daughter was kidnapped? Otherwise, the optics in the #METOO makes it just EEEEWWWW!

9) Oh, and speaking of the emperor, where the hell did that fleet come from?

10) And first Rey's a nobody, but then she's the granddaughter of Palpatine? Which brings me to--if Disney's going to erase the SWEU from continuity, then fucking do something original instead of pulling storylines from the SWEU and then doing half-assed things with them!


Okay, I stopping there before I give myself an aneurysm. Once again, J.J. Abrams threw cool shit from the original trilogy at the screen in an incoherent mess. If you haven't seen it in theaters, don't bother going. Wait until it's out on Blu-Ray or there's a Star Wars weekend on TNT.

Overall, I reluctantly give Star Wars: The Rise of Skywalker 5 stars out of 10.

Friday, December 20, 2019

I Think. Therefore, I Am.

Actually, my existence is pretty questionable. My head's still fuzzy from the flu, but I'm eating a normally diet again. That's a step in the right direction.

However, I'm a little jealous of the friends who were able to attend last night's showing of Star Wars: The Rise of Skywalker. More because they were physically able to attend the screenings, than wishing I could go to. However. everyone so far has said the ending was awesomely satisfying. So maybe JJ Abrams finally learned how to write an ending after all.

Yes, folks, the ending of a story is just as important as the beginning. If you haven't learned how to craft an ending, for the love of Cthulu, practice.

This is not a hate on JJ. I think the guy can come up with brilliant ideas. It's the follow-thru where he falters.

Alias. Revolution. Lost. All great high-concept ideas. But he kind of proves the adage that ideas are a dime a dozen. It's the actual story that keeps people involved. Also, the writer can't break the rules of their universe willy-nilly. Not without pissing off their fans.

Look what happened with the final season of Game of Thrones. The writers and showrunners had GRRM's notes, but they didn't have his passion for the characters. All the previous seasons, we knew who did what and why. And it's not the fact that Bran ended up with the Iron Throne, it's that the writers didn't care enough to sell that version to the audience.

Sticking with our world logic and developing an ending is something we writers need to do on a consistent basis. When I was writing Hero De Facto, I feared the May-December romance between Rey and Aisha would be the biggest sticking point with the audience. So far, there's been nary a word, which means I did my job as an artist.

So where is all this rambling going? To three craft points writers need to keep in mind:

1) Ideas are cheap and easy. Storytelling is hard. Work on your storytelling.

2) Endings are as important as beginnings.

3) Don't break the rules of your universe without a damn good reason that makes sense to the audience.

Now, I have to put together my shopping list. Genius Kid was Cincinnati chili with his football on Sunday.